Search Results for: Michael Harris
July 20 - August 1 Main Stage
Featuring Tony nominee Carmen Cusack and Eden Espinosa, this world premiere musical is directed by Tony nominee Rachel Chavkin, with music by Matt Gould and book and lyrics by Carson Kreitzer. Fleeing the Russian revolution and leaving behind a world of opulence and wealth, aristocrat Tamara de Lempicka (Espinosa) and her beloved husband Tadeusz (Andrew Samonsky) are forced to make... Read MoreA LETTER FROM THE ARTISTIC DIRECTOR
Throughout 2017, WTF continued its traditions of developing and producing artistically vibrant and culturally resonant plays and musicals, incubating the next generation of great theatre artists, and connecting broad and diverse audiences with its work. This past summer, over just 55 days at the Festival, we produced more than 170 performances of 35 shows, readings, and special events as well... Read MoreGenerating groundbreaking new work for the Festival
As a generative, "soup-to-nuts" producing institution with offices in Williamstown and New York City, Williamstown Theatre Festival is engaged year-round in the development of groundbreaking new work, much of which is produced at the Festival or at other major theatres. WTF develops and incubates new work through the New Play and Musical Development Initiative's programs, which include: Artists-in-Residence Twelve... Read MoreJuly 7 - August 18 The Clark Auditorium (225 South St)
WTF’s Fridays@3 reading series is a renowned program for the development and discovery of new work! Many Festival productions started as Fridays@3 readings, including this season’s Where Storms are Born and Actually. Spend the afternoon up close and personal with a play in development, read by brilliant actors! All Fridays@3 readings take place at The Clark Auditorium (225 South St).... Read MoreBuilding upon the Festival’s sixty-two-year history of creating excellent work, our 2016 season featured an exhilarating combination of artistic risk-taking and achievement. Marisa Tomei opened the season in a “buoyant, memorable, inventive, and striking” production (New York Times) of Tennessee Williams’ The Rose Tattoo, with a performance that Observer called “a one-woman fireworks display.” After critically acclaimed runs at WTF,... Read More
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